House of the Dragon’s second season was about the quiet moments that shape history

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After spending truthful overmuch clip successful its first season conscionable getting its galore players connected the board, House of the Dragon’s 2nd season appeared poised to fto the dragons creation and yet plunge Westeros into a cataclysmic civilian war. An escalation of fiery battles and royal treachery felt similar the logical adjacent measurement for a bid chronicling however the Targaryens fell from grace successful the past and sowed seeds that would spell connected to prevention the satellite successful the distant future. 

Instead, House of the Dragon’s 2nd section enactment overmuch much absorption connected the quiescent moments that signifier past alternatively than the explosive ones that spell connected to go legends. The prime made immoderate sense, fixed HBO’s determination to shorten play 2’s occurrence number from 10 to eight, and seemed somewhat prescient successful the aftermath of last year’s strikes that put the show’s production connected hold.

And portion it culminated successful a play finale that mightiness not person lived up to everyone’s hopes action-wise, the occurrence solidified House of the Dragon as a bid susceptible of telling its ain almighty stories and adding caller extent to A Song of Ice and Fire. That whitethorn look anticlimactic to viewers who wanted large acceptable pieces, but it volition apt springiness the series’ 4 seasons a much convincing and satisfying arc.

Image: HBO

This has ever been a amusement astir characters — the decisions they marque and the consequences they face. While dragons laid discarded to cities successful immoderate of House of the Dragon’s much breathtaking episodes this past season, the existent hostility of the amusement is the palace intrigue: misinterpretations of 1 another’s actions continued to beryllium the biggest threats to the realm arsenic the schism wrong House Targaryen grew adjacent deeper.

Queens Rhaenyra (Emma D’Arcy) and Alicent (Olivia Cooke) already knew good however calamitous their conflict for powerfulness would go if it continued to unfold crossed the Seven Kingdoms. But with some women surrounded by men hopeless to spot themselves connected the Iron Throne, House of the Dragon made wide that their attempts astatine waging warfare with caution were doomed from the jump.

In a play that was punctuated by riots, maimings, and senseless bloodshed, House of the Dragon framed Rhaenyra’s quiescent clip poring implicit household records arsenic 1 of the astir pivotal moments successful the show’s past — not dissimilar Game of Thrones’ play 7 uncover of Jon Snow’s Targaryen heritage. But House of the Dragon was overmuch much transparent than its predecessor astir however important illegitimate children — an “army of bastards” — could go if fixed the chance. And portion a fewer guiltless radical were burned to decease arsenic Rhaenyra tested retired her theory, “The Red Sowing,” the penultimate episode, unexpectedly established Alyn of Hull (Abubakar Salim), Ulf White (Tom Bennett), and Hugh Hammer (Kieran Bew) arsenic radical who look fated to assistance signifier Westeros history.

There’s ne'er been immoderate question astir however House of the Dragon will extremity — galore of these radical dice horribly, and House Targaryen falls into ruin. But play 2 spent ample clip highlighting however the Black / Green warfare could person been averted if the 2 sides could conscionable prosecute successful bully faith.

Image: HBO

The finale, “The Queen Who Ever Was,” pulled backmost connected its enactment to marque a larger connection astir however — adjacent astatine this constituent erstwhile war’s each but inevitable — its characters inactive person the quality to spot the concern much intelligibly and alteration their minds. The occurrence gave a deeper and unmistakable meaning to Daemon’s dreams of his past, the present, and Game of Thrones characters similar Daenerys and the Night King. His instrumentality to Rhaenyra spoke to his knowing of wherefore the Targaryen household needed to beryllium beardown for the realm, not conscionable themselves. And that aforesaid clarity of caput is what brought Alicent to Dragonstone undercover, acceptable and consenting to surrender King’s Landing successful spite of Aemond’s plans.

But warfare is simply a instrumentality that’s hard to halt erstwhile its gears person been acceptable successful motion. And “The Queen Who Ever Was” utilized its last moments to stress however determination volition beryllium nary coming backmost from the warfare connected the horizon.

That warfare feels similar thing House of the Dragon wants to dainty arsenic a existent turning constituent for its characters, and this season’s restrained enactment felt similar an intentional prime to prevention the bombast (and accumulation resources) for the series’ precocious announced last 2 seasons. Pacing issues thoroughly derailed Game of Thrones in its location stretch; House of the Dragon could precise good conscionable a akin fate, but its restraint showed that the writers country mightiness person the patience to defy going excessively large excessively soon. After all, this play near small question that the satellite volition pain erstwhile the amusement returns and each of its characters volition person small prime but to pain with it.

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